Film Analysis of High and Low Essay -- Film Analysis Movies High and L

convey Analysis of High and LowFilm 1010 Mise en burst is a stylistic form of filming that is cut for staging the shot, which is referring to e genuinelything in front of the camera. Director Kurosawa understood this sprint and apply it in High and Low (Kurosawa, 1962). He used several(prenominal) Mise en scene techniques such as closed composition, space adult maleipulation, and illuminate to compliment the disgust thriller story. Closed composition is one of the main themes that Kurosawa uses passim the movie. He chooses to keep the scenes tight and in close living quarters mostly. This is seen predominately in the first half on the movie. Here the action takes place in Mr. Gondos house on top of a hill. The looker has very little idea that there is much of a world right(prenominal) the house. This idea is supported when Mr. Gondo has to close all the drapes in the house to restrain the kidnapper from looking into the house. This gives a mood and vox populi of anxiety from cosmos enclosed. Also, shots of the house sitting on top of the hill give the feeling of loneliness. This feeling is repeated in the bullet train sequence where the quarters are much smaller. The viewer is somewhat relieved with the view of the outside, hardly because of the close quarters and the sense of a speeding train, it does not capture the viewer to enjoy the openness the windows provide. A scene that clearly shows the Mise en scene style is the next day comes and Mr. Gondo must now influence whether to pay the ransom or not. We see and hear the argument with Mr. Gondo and Mrs. Gondo, with Mr. Aoki strident to the uttermost left of the scene. Soon the dialog ends and we see Mr. Aoki still to the far left, Mrs. Gondo with Jun in the middle, and Mr. Gondo to the far right. Clearly separating them are the detectives who are standing mutely with their heads down. The placement of the detectives manipulates the space in the scene into thirds. It also helps in punctuate the differences between the three characters regarding what should be done about getting Mr. Aokis son back from the kidnapper. In the scene where two of the detectives find the man and woman dead, we see the detectives enclosed in the window of the house where, we the viewers are looking in. This is the closed form composition, which is used to help steering the viewers attention on the characters. In doing so, the characters surprise reactions... ...arly existence used as a separation between Mr. Gondo and the police. That, with the combination of the lack of furniture, along with the predominance of white created by the light in the house enforces the greenback of emptiness and loneliness that the viewer feels. Finally, the last few scenes show desperation by the kidnapper. Mr. Gondo and the kidnapper are sitting across from each new(prenominal) in a closed off room. The room gives the feeling of being trapped along with the wire mesh and window separati ng them. Here the viewer gouge see the reflection of whom the character is talking to so that we can see the expression from what is being said. Plus by being in such a small room, the perceptions seem to be increased as the kidnapper releases his own emotions to Mr. Gondo. We have seen that Kurosawa used many techniques of the mise en scene throughout High and Low. The use of the closed stylistic form along with the lighting and space manipulation of characters and objects help increase the intense emotion of the film as well as help the viewer focusing on key points and characters. This ultimately moved the story forward and complimented the crime thriller categorization of the film.